Choose Your Own Disaster Read online




  Copyright © 2018 by Dana Schwartz

  Cover design by Justin Renteria

  Cover copyright © 2018 by Hachette Book Group, Inc.

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  First ebook edition: June 2018

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  LCCN: 2018932213

  ISBNs: 978-1-4789-7039-2 (trade paperback), 978-1-4789-7038-5 (ebook)

  E3-20180511-NF-DA

  Contents

  Cover

  Title

  Copyright

  Dedication

  Epigraph

  WHICH FAKE ROM-COM LADY CAREER SHOULD YOU PURSUE?

  WHAT SORT OF WRITER WILL YOU BECOME?

  WHICH LORD OF THE RINGS CHARACTER ARE YOU, BASED ON YOUR EATING DISORDER?

  WHICH EUROPEAN CITY SHOULD YOU GO TO WHILE YOU’RE IN DEEP DENIAL ABOUT NEEDING TO ENTER THE REAL WORLD?

  CONGRATS! YOU MADE IT TO NEW YORK CITY! ASIDE FROM LIVING IN AN APARTMENT WITH NO CENTRAL AIR BUT ENDLESS TAKEOUT CONTAINERS OF WHITE RICE IN YOUR FRIDGE, WHAT ARE YOU EXCITED FOR?

  ARE YOU AN INTROVERT OR JUST A LAZY ASSHOLE?

  WHICH SEXUAL FETISH BEST FITS YOUR ZODIAC SIGN?

  HEY, DO YOU WANT TO DATE DANA SCHWARTZ?

  Acknowledgments

  Newsletters

  To my family. Please don’t read this.

  I had considered how the things that never happen, are often as much realities to us, in their effects, as those that are accomplished.

  —Charles Dickens, David Copperfield

  The unpredictable and the predetermined unfold together to make everything the way it is.

  —Tom Stoppard, Arcadia

  WHICH FAKE ROM-COM LADY CAREER SHOULD YOU PURSUE?

  1. Are you a left-brain thinker or a right-brain thinker?

  A. Left brain

  B. Right brain

  2. What was your favorite subject in school?

  A. English

  B. Biology

  3. Would you rather be fulfilled or rich?

  A. Fulfilled

  B. Rich

  4. In sixth grade, you read The Call of the Wild and your English teacher has you create a project to represent the book. You would prefer to:

  A. Draw a wolf with charcoal and place a poem you wrote and printed onto clear paper over the drawing for an effect that you truly think belongs in an art museum.

  B. Build a small model sled out of wood.

  5. On a winter day in the sixth grade, your same English teacher—a woman with a poodle poof of white hair, who wears floor-length skirts and a brooch at her neck like she’s onboard the Titanic—comes outside to shepherd you back in from recess when she slips on the ice. But not just “slip” the way most people use the word slip. She slips like a cartoon character, tiny-heeled boots flung straight out in front of her so she’s fully horizontal above the ground before she falls. “I’m okay!” she croaks from the pavement. Do you laugh? Please note here that she is actually completely uninjured. Promise.

  A. Of course you laugh. You’re not proud of it, but what do you want me to say here?

  B. No. I mean, yes, but you’re going to say no because even though it said she wasn’t hurt, this might turn out to be a trick question or something.

  If you answered mostly As

  Congratulations! Your rom-com lady career is vaguely arts related, probably at a television studio or women’s magazine. If the former, you’ll be wearing a headset microphone and carrying a clipboard, flitting around a control room in a pencil skirt and high heels. If the latter, you’ll be carrying a half dozen coffees that are spilling all over your cardigan, flitting around New York City in a pencil skirt and high heels. Being clumsy is your primary—and adorable—character trait. Your apartment is inexplicably massive and your wardrobe is all designer blazers and statement jackets in bright colors, and even though they should all be covered in coffee all the time, on account of all the coffee you spill, they always look perfect. You will never get persnickety emails from your bank account, heavy with electronic red exclamation points, about overdraft fees and you will never, ever be sitting barefoot on your couch and feel a slight tickle and look down to see a cockroach the size of a baseball, all legs and hair-thin quivering antennae, crawling across your foot and disappearing beneath the oven before you have a chance to kill it, so you just have to know, forever, that that giant cockroach is living somewhere in your house, waiting to emerge, and it’s already gotten a taste for crawling across human flesh. No. Your apartment is always spotless, and your hair is always professionally blown out.

  Turn here.

  If you answered mostly Bs

  You should be the love interest in an action movie. Think Bond girl—you’re incredibly smart in the one specific area that just so happens to help the protagonist in this one very specific instant of the plot. “Give me that,” you’ll say, snatching the hieroglyph from the hero’s hand. “I have two PhDs in cryptozoological translation.” You’ll shove the hero aside from the beeping machine. “I’m NASA’s top-ranking expert in nuclear disarmament techniques.” Does it make sense? No, but who cares? You are very, very pretty. And smart, definitely smart because even though you look like a supermodel and wear very sexy clothing and a full face of makeup, you are also wearing glasses. Sure, twenty-four looks a little young to have three PhDs but they’re pretty sure making you smart in whatever will move the plot forward means this movie is feminist. You will either end up running away with the hero, or you will die. Apologies.

  Turn here.

  Here is how you cut off a mouse’s tail:

  Step 1: Get an internship at the laboratory in the biology building at the center of campus. The animal labs are all several floors down, below the concrete and perfectly manicured grass squares. Your first time walking through the industrial hallways, you’ll pass doors guarding pigs and mice (you’ve heard that there are also primates somewhere in the underground labyrinth of hallways, but their location—and existence—was classified after a legion of animal rights activists in the 1970s engineered a plot to set them free).

  Step 2: Get dressed. You’ll never quite be sure whether the protective gear you have to wear when you enter the room with the cages is for your protection or that of the mice, with their delicate, scientifically coordinated immune systems. It will take you five full minutes to pull on the covers for your shoes, the gloves, the hair net, and the thin plastic apron while your new supervisor watches, teaching you how to make sure the elastic is all the way around your shoes and making you promise you will never touch a doorknob with a gloved hand. (Is it to keep whatever bacteria you’re playing with off the doorknob or to make sure you don’t contamin
ate your experiment?)

  “Today, we’re going to be snipping their tails for PCR samples,” your supervisor says, swiping her access card to get you into the mouse room. She’s about forty-five years old, with shoulder-length hair like Kathy Bates in Misery. She’s just a technician, not the scientist in charge of the lab. Among the many things she’s told you that you don’t quite understand, you don’t entirely know what PCR stands for. “Eventually you’ll be doing this on your own, but it takes some getting used to,” she continues.

  The mouse room is about the size of a prison cell, lined on all sides with stacked plastic cages, each filled with its own generation of mice, their unique genetic and pharmaceutical history carefully marked on an identifying card. The smell is exactly how you’d imagine it, and just a little worse.

  The lab tech grabs one of the plastic cages and brings it over to a laboratory hood—stainless steel and connected through the ceiling to a chimney on the roof, like a hood that you would find above the stove in a sinister, science-fiction-villain kitchen—with a thin moat of mesh wiring bordering the table. The moat, it turns out, is the most humane mouse trap you’ve ever seen: The lab tech expertly extracts a chosen mouse from its plastic habitat and places it on the mesh, where its tiny mouse claws are so occupied with gripping tight to the wiring that it somehow finds itself incapable of moving.

  “We’re not cutting off the whole tail, obviously, just enough to get a genetic sample,” she says out the side of her mouth. Somehow, even with the stench of the mouse shit and the few feet of space between the two of you, you can smell her warm peanut butter breath.

  Step 3: Pick the mouse up from its mesh-wire paralysis using your left hand, so it is belly-up in your palm. Using your thumb and index finger, restrain its top two legs. Using your ring finger, hold down its lower torso. You will use your pinkie to hold the tail stable while you take the small silver scissors and snip off less than a centimeter of flesh from the end of the tail.

  It somehow seems so much more awful that you have to use a pair of scissors. As if you’re a sadistic future sociopath at home with the family pet. The mouse does not squeak, and you are told that it doesn’t hurt. There is rarely more than a drop of blood, and you dab it away easily with a delicate tissue Kimwipe. The tail sample goes into a small bullet-shaped plastic tube and the mouse goes back into the box after one final step.

  Step 4: This is the most important step. Don’t disappoint the advisor who got you this job, the man who wrote the email and gave you glowing praise that you didn’t deserve, about how brilliant and hardworking you are. You always looked forward to your freshman advisor meetings with him: ten minutes that turned into fifteen that turned into twenty in his office, which was bedecked with Star Trek memorabilia and close-up black-and-white photos of the parasitic worm he discovered that made him renowned in the biology community. When you told him you were planning on becoming a doctor, he was thrilled. “You’re one of the good ones,” he said conspiratorially, indicating that he had just ushered one of the bad ones out of a previous meeting. The bad ones were the stereotypical premeds—hyper-competitive, type A, their lives planned out down to their residency hospitals and what color scrubs they’ll wear when they get there. “You should be a doctor,” your advisor tells you, offering you a bowl of Hershey’s Kisses. “We need more doctors like you.” You decline; he pops two in his mouth. You aren’t sure how you were able to trick him so completely.

  And now you’re here, your first day, in one of the best labs on campus.

  Try to do a good job.

  “Oh, and when you’re piercing the ear, you have to fold the ear in half, like this. If you pierce it through without folding it, the mice can just rip the tag right out. So here, look.” The lab tech demonstrates for you, folding one mouse’s velvety ear within the metal fingers of the handheld gun and then depressing the trigger.

  Piercing a mouse’s folded ear, you discover, is infinitely more unpleasant than using scissors to snip its tail. The ear is so velvety soft, it seems, and delicate, and you can feel the crunch of the cartilage in your hand as you push the thick needle and plastic marker through. There is no blood and no cries of pain, but you feel as though this is the part that hurts the mouse the most.

  “So you’ll just finish up with the rest of this group,” the lab tech says, and she heads back toward the main laboratory, leaving you alone in a glorified closet, surrounded by rodents and their smell, working under fluorescent lights that still manage to leave the room too dark. “Oh, and remind me to grab you the independent study application when we’re back upstairs. The doctor likes to plan ahead about what her interns will be writing their senior theses on.”

  You have no idea what you’ll be writing your senior thesis on. You aren’t sure what this lab is actually studying. Liver cancer or something. You managed to trick them in your interview too. They saw the recommendation from your advisor and your good grades and figured any bio major at Brown is as good as the next. You wish you could wear a shirt that says “I missed the day where they explained everything.” Which lecture was it exactly, what class, what moment, what point studying for what test did you stop understanding and begin pretending you did? You’re planning on just pretending you understand all the way through your medical school applications. Once you’re at med school, it’s day one for everyone. Just study the textbook and become a doctor.

  Follow the steps.

  You try to grab your first mouse, and it wriggles away from your grip. The mouse burrows itself into the wood shavings. And so you try to grab another mouse, one that looks almost sedate, sitting on a pile of wood shavings like a proud, fat king. But the moment you get the mouse king in your left hand, it begins violently shaking like a teenager at a metal concert, fighting desperately to escape your grasp, little pink feet crawling on the air, head shaking back and forth—you can’t tell me what to do, Mom!

  You’re forced to drop the mouse back onto the metal grating twice so you can readjust your hand position before you manage to get that scissor snip of the tail tip. Once that bit of its DNA is gone, the mouse loses most of its will to fight. It allows you to fold and pierce its ear with only your own squeamishness to overcome.

  You never thought you were a squeamish person before. You fantasize about plucking ingrown hairs and, unlike your younger sister who shrieked and cried, even well into teenager years, when faced with the prospect of getting a shot, you never minded needles or blood.

  But using scissors to snip a piece of living flesh is harder than you imagined, and it doesn’t get easier, not after the first mouse, or the third or the tenth. Using the thick metal gun, closer to a hole punch than anything else, to brutalize through two layers of ear will still make you cringe years later.

  The first mouse is done. You are now alone but for a hundred mice in a dark basement room. And you have a dozen mice to cut and pierce before you can leave. Trying to become a doctor is lonelier than you expected.

  From kindergarten on, when the inevitable question of “What do you want to be when you grow up?” came, you always had an answer that matched the inflated sense of self-worth of a white girl in an upper-middle-class family in an upper-middle-class suburb, who has been told over and over again that she can achieve anything she puts her mind to. When someone asks this question, they’re not just asking about jobs—children don’t really understand the fundamentals of jobs: the daily rigor, the monotony, the paperwork, the busywork, the struggling, the interviewing, the promotions, and so on—they’re asking them about their future. “Who do you want to be, child?” they ask. The child’s answer is inevitably one of the primary-colored figures they’ve seen waving from the pages of picture books or from Sesame Street: Susan is a dancer—see Susan in her tutu onstage at the big city ballet show? Tamako is a doctor—Tamako will be in a white coat with a stethoscope around her neck. Do you want to be a dancer or a doctor or a lawyer or a teacher or a businessperson or a firefighter or a policeperson?

&
nbsp; There are an infinite number of careers you can have, and when we say infinite we mean about eight. Your job will not just be your job—it will be the very thing you are. It will be how you are introduced when you’re standing alongside your improbably international and diverse friends in the coloring book. The job itself will be your costume.

  And so, from an early age you knew: You didn’t just want a job; you wanted an identity. “First female president” was the answer you stuck to from second grade. You believed it with such earnest naivety that you looked upon Hillary Clinton as a competitive colleague. “Talk show host” was another popular contender: Your mother watched Oprah every day when you came home from school, and so you watched Oprah every day when you came home from school. You pictured yourself holding court every weekday with celebrity guests and politicians, involved and respected, in a job that seemed to mainly consist of talking, using luxury products, and being cheered for. You entertained dozens of fantasies of careers upon which you might embark, from evolutionary biologist like Jane Goodall to celebrity chef, and although they seemed unrelated, they were tied together by an obvious unifying factor: You wanted to be respected, and you wanted to be known. The nightmare for you was never death; the nightmare was being forced to live your entire life anonymous to the people who mattered. You wanted to be a part of the action, and a part of the action in a way that people respected your opinion.

  Maybe that’s why, as you grew older and you realized becoming president requires a lot of money and handshaking and paperwork and that to be a celebrity chef one needs to be good at cooking, you gravitated toward science.

  Science is wonderful if you enjoy feeling smart. “Monosaccharides,” you can say, nodding your head thoughtfully. “Cis isomer. Ardipithecus ramidus. Gel electrophoresis. Saltatory conduction.” And suddenly the world will be filled with people entranced by your genius, totally aware of how smart you are and how much they should respect your opinion, even on things you received B minuses on in tests. And imagine how much greater that feeling will be once you have Dr. in front of your name. “What does your daughter do?” people will ask your mother in the grocery store. “Oh,” your mom will say, trying to conceal a smile, “she’s a doctor.”